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A duo of beer cocktails

by Jacob Grier on July 30, 2010

dutchdevil

With our “Brewing Up Cocktails” event successfully wrapped up at The Hop and Vine with co-conspirators Ezra Johnson-Greenough and Yetta Vorobik, I thought it’d be fun to go into the details on a couple of the drinks. These both use products from the Bols line and adapt popular cocktails for use with beer in place of the usual ingredients.

First up is the Dutch Devil, pictured up top in the flute. There were two inspirations for this drink. The first is the classic champagne cocktail, made with champagne, a sugar cube, and Angostura bitters. The second is Stephen Beaumont’s Green Devil, which deliciously mixes gin and Duvel Golden Ale with an absinthe rinse. This drink sort of combines the two, putting Duvel in place of sparkling wine and taking advantage of the malty notes in genever:

1 oz Bols Genever
1 Angostura-soaked sugar cube
Duvel

Build in a flute. We were serving these with the sugar cube added first, but the cocktail science article I linked to this morning suggests that adding it last might be a better way. At The Hop and Vine, this drink is now on the menu with a candied ginger garnish.

The second drink is a variation of the Bramble, a lovely cocktail created by London bartender Dick Bradsell. It’s made by mixing gin, lemon, and simple syrup in crushed ice, then topping it with blackberry liqueur and fresh berries. Our idea for this one was to take out the lemon and simple syrup and replace them with a sour ale. But which beer to use? Ezra likes it with the Cantillon Gueuze. My preference is the Bruery’s Hottenroth Berliner Weisse. Berliner Weisse is a tart style of wheat beer native to Germany, where it’s often served with raspberry or woodruff syrup. I like the way it balances this drink and the way the final addition of blackberry liqueur mirrors the way it’s traditionally served:

3/4 oz Damrak Gin
Bruery Hottenroth
3/4 oz Clear Creek blackberry liqueur

Build the first two ingredients in an ice-filled rocks glass, top with the liqueur, garnish with fresh blueberries, and enjoy.

For notes on the rest of the drinks featured at the event, check out Hoke Harden’s write-up for the Examiner.

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My July column at Culinate takes a look at three summer gin cocktails, giving background and recipes for two easy classics and one that will take a little more preparation.

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erithacusrubeculaTwo of the most recent spirits to arrive here for sampling are the Floraison and Nouaison gins from G’Vine. These are distilled in France from Ugni Blanc grapes, the same grape commonly in use for distilling Cognac. The spirit is infused with grape flowers and other traditional gin botanicals before undergoing a final distillation. My preference is for the Nouaison, which is flavored with lime. However this post isn’t so much about the gins as it is about an unusual cocktail I came across while experimenting with them.

Credit for pointing me toward this drink goes to my friend Paul Willenberg. While tasting the G’Vine gins with me he remembered a drink he enjoyed in France called a Rouge Gorge, possibly named after the little bird pictured up top. Paul says he had it as an aperitif at Levernois. One of the only mentions of it I can find online is this:

Rouge Gorge: You Know You Want One

The place to drink this in Paris is the wonderful Alsatian restaurant “Aux Deux Canards” – try it with the pan fried fois gras.

Rouge Gorge – The recipe:

8 parts Cotes du Rhone, 5 parts good quality gin – Tanqueray or Hendricks, 3 parts Crème de Mure. Mix well, and serve slightly chilled in a brandy glass.

The combination sounds strange, but the perfume of the gin combines with the violet aromas of the Rhone wine and the fruitiness of the Crème de Mure to create an absolutely bewitching – and lethal – cocktail.

OK, this does sound strange. And it is strange. But it’s not totally off the wall. The original Martinez featured a 2:1 ratio of sweet vermouth and gin, further sweetened with a little maraschino liqueur. Though contemporary palates tend toward a flipped ratio, this isn’t that far removed from drinks served in the Golden Age of cocktails.

Still, the recipe above is a little sweet. Cutting down the blackberry liqueur brings out more of the gin. Here are the proportions I’ve settled into:

2 oz chilled Côtes du Rhône (Domaine “La Garrique” at Paul’s suggestion)
1 oz gin (G’Vine Nouaison)
.5 oz blackberry liqueur (Clear Creek)

I think the best word to describe this drink is “beguiling.” You take a sip, and you’re not quite sure what to make of it, and so you sip again. It’s better than you think it would be, and difficult to wrap your head around the flavors.

It’s a weird drink; I’m still trying to figure it out myself. Should it be enjoyed before dinner as an aperitif? After with cheese and bread? Where did it come from, and can I order one at a French bar with any reasonable expectation of the bartender knowing what I’m talking about? Googling has yet to reveal the answers, but if anyone else has experience with this unusual drink I would love to hear about it.

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Summer Imbibing

by Jacob Grier on July 4, 2010

tiberius

I have a new cocktail up at Imbibe this weekend featuring the limited edition Beefeater Summer Gin, hibiscus syrup, lemon, and cucumber. If you’re looking for a refreshing summer drink, give the Tiberius Fizz a try.

Why Tiberius? The emperor was reportedly extremely fond of cucumbers:

According to The Natural History of Pliny, by Pliny the Elder (Book XIX, Chapter 23), the Roman Emperor Tiberius had the cucumber on his table daily during summer and winter. The Romans reportedly used artificial methods (similar to the greenhouse system) of growing to have it available for his table every day of the year. To quote Pliny; “Indeed, he was never without it; for he had raised beds made in frames upon wheels, by means of which the cucumbers were moved and exposed to the full heat of the sun; while, in winter, they were withdrawn, and placed under the protection of frames glazed with mirrorstone. Reportedly, they were also cultivated in cucumber houses glazed with oiled cloth known as “specularia”.

He was also a dark, somber, and sometimes tyrannical ruler, described by Pliny as “the gloomiest of men.” Perhaps a few cucumber fizzes would have cheered him up.

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Good Old Tom

by Jacob Grier on June 23, 2010

An interesting bit of history from Houston bartender Bobby Heugel’s weekly drink column, this week about the Tom Collins:

The era’s infatuation with Old Tom Gin today seems most analogous to our society’s accessibility to and reliance upon Starbucks. Among various other alcoholic habits, Tom Gin fanatics would approach neighborhood bars that had wooden cat silhouettes hanging on the walls — hence the second origin story, that the drink is named after a bar cat. They would then deposit a coin in the cat’s eye, alerting the bartender inside to pour a shot into a tube that extended out from the cats paws. The person would place their mouth on the tube and drink the flowing gin. Now, that’s drive-thru service!

I’m generally optimistic about social progress, but on the availability of Old Tom gin we are clearly backsliding!

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Several people have mentioned that I’ve been neglecting the blog lately, which I suppose is better than no one noticing that I haven’t been updating. I’ve been far too busy testing drink recipes for my forthcoming cocktail guide to have time for writing. It’s a terrible burden, but someone has to carry it! Recipe selection wraps up today and then I am off to Houston for my ten year high school reunion, so things should return somewhat back to normal next week. In the meantime here are a few spirit reviews…

Glenlivet 1973 Cellar Collection– How does one review a whisky that sells for more than $1,000 a bottle? At that price it no longer makes sense to ask if it is worth the money in an ordinary sense. I can say that it’s an excellent whisky. It’s rich, warming at 98 proof, and has a slight fruit note that I assume comes from finishing in sherry cask. It’s not every day I get to taste a whisky older than I am and sometimes very old whiskies are just too woody. That’s not the case here. I only have a couple ounces of this but I would happily drink much more. This is a fantastic Scotch and if I’d gone into banking instead of blogging I might be tempted to buy a bottle.

Oxley gin — What sets this gin apart is its unique distillation process. As you might remember from physics class, when you lower the pressure on a liquid its boiling point drops as well. Oxley is distilled in a near-vacuum at a few degrees below freezing. That’s interesting for science nerds but it wouldn’t matter if it didn’t taste good. Luckily it does, with the fresh citrus peel used to flavor it standing out against lighter juniper notes. Its grapefruit taste makes it perfect for a Pegu Club. Definitely recommended.

Sagatiba cachaca — A few weeks ago the Oregon Bartenders Guild hosted Sagatiba brand ambassador John Gakuru for a cachaca event. Sagatiba isn’t in the state yet, but hopefully it will be soon. The Pura is a light, clean, and smooth unaged cachaca. It’s good but I am more excited about the Velha, a pot still cachaca aged between two and three years in bourbon barrels; this is nice neat and I could see it being great in cocktails. Finally we were also treated to their Preciosa, a very limited bottling of cachaca left to age 23 years in Cognac barrels. The finish is long and woody; it’s an unusual spirit worth sipping if one comes across it. Oregon is short on quality cachaca so the Pura and Velha will be very welcome additions here (I don’t know if the Preciosa is coming in).

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Atty cocktailMixology Monday is back and this time it’s hosted by Sonja at Thinking of Drinking, who chooses absinthe as our theme:

The topic for February is Absinthe. That much maligned, misunderstood, mistreated spirit, suddenly plentiful again in the US and other parts of the world. Absinthe played a role, whether large or small, in a variety of great cocktails from the 1800’s and early 1900’s - the Sazerac, Absinthe Suissesse, Corpse Reviver No. 2… I’m getting thirsty.

So let’s celebrate absinthe’s history, and it’s future, with all manner of cocktails using absinthe.

I tend to drink absinthe most often as an accent in cocktails rather than on its own and even then I don’t turn to it very often. So lacking inspiration this month I turned to Difford’s Guide #7, a massive book that includes recipes and photos for more than 2,250 cocktails conveniently indexed by ingredient. The drinks are of decidedly mixed quality but there are some gems in there, including the Atty cocktail:

2.25 oz Plymouth gin
.75 oz dry vermouth
.25 oz absinthe
.25 oz creme de violette

Stir (not shake!) over ice and optionally garnish with a lemon zest, though the aromatics of the absinthe and violette are strong enough that it’s not strictly necessary. The recipe is adapted from the Savoy Cocktail Book, which to my shame I don’t have in my library yet. Erik Ellestad posts the original recipe here.

The interplay of the absinthe and floral flavors is really nice here. It’s similar to the absinthe and lavender combination in Neil Kopplin’s Envy cocktail, though much more restrained. I like this drink a lot, and the color is fantastic (as you could see if I was a better photographer). Definitely recommended.

Incidentally, Difford’s Guide is available online as well, but the physical book is great to have on hand to browse through for ideas. The new edition #8 is available now.

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I may have to make some changes as we run low on ingredients, but here’s the intended cocktail menu for our final two weeks, including three new additions. This will go into effect tomorrow:

Aquavit Hot Toddy – Krogstad aquavit, Swedish punsch, lemon, star anise $8

Antigua Old-Fashioned – English Harbour rum, coffee-orange bitters, sugar $8

Smoky Margarita – Herradura reposado tequila, Cointreau, lime, lapsang souchong syrup $8

Portland Stinger – Branca Menta, bourbon, brandy, lemon, grenadine $9

Thyme in a Bottle — Bombay Sapphire, Farigoule thyme liqueur, lemon, maraschino $9

Erica’s Impulse –Brandy, allspice liqueur, lemon, simple syrup, orange bitters $8

H’ronmeer’s Flame – Rye whiskey, sweet vermouth, Ramazzotti, flamed orange zest $9

Witty Flip – Brandy, J. Witty chamomile liqueur, lemon, orange bitters, egg, nutmeg $10

Horatio – Krogstad aquavit, Cointreau, Fernet-Branca, orange bitters $9

Curse of Scotland — Ardbeg 10 year single malt Scotch, Drambuie, maraschino, lemon $10

Queen Bee – Vodka, St. Germain elderflower liqueur, lemon, honey syrup, sparkling wine. $9

On a Whim – Trust your bartender to make you something good

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Secrets of the Patty Mills

by Jacob Grier on January 26, 2010

patty_mills 007

My friend David’s method for creating a new cocktail:

1. Come into Carlyle and pick a drink on the menu that includes lemon juice.

2. Order that drink without lemon juice.

3. If the drink is served up, order it on the rocks.

4. Name the new drink after a Blazer.

5. Enjoy.

This method isn’t foolproof. Sometimes the results are, as one fellow drinker put it, “horribly unbalanced.” But sometimes it works. And one of those times is perfect for this week’s Mixology Monday, which is all about tea and hosted by Cocktail Slut:

Tea has played a historical role in cocktails for centuries. Perhaps the best documented early example was its inclusion in punches as part of the spice role to round out the spirit, sugar, water, and citrus line up. Later, teas appear in many recipes such as Boston Grog, English Cobbler, and a variety of Hot Toddies. And present day mixologists are utilizing tea flavors with great success including Audrey Saunder’s Earl Grey MarTEAni and LUPEC Boston’s Flapper Jane. Now it’s our turn to honor this glorious cocktail ingredient!

For a while our menu at Carlyle included an updated version of one of the first cocktails I came up with, a Pegu Club variation made with Earl Grey tea-infused gin. Putting this through David’s drink algorithm produces the Patty Mills:

2 oz Earl Grey-infused Bombay gin
.75 oz Cointreau
1 dash Regan’s orange bitters

Serve on the rocks with an orange zest. It’s a secret off-the-menu drink at Carlyle. But would Patty Mills himself approve? Only time will tell.

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Tonight at Carlyle we’re offering a special menu of cocktails featuring one of my favorite local spirits producers, Organic Nation from Ashland, OR. I was first turned on to their gin in the Oregon Bartenders Guild summer mixology competition, where I used it in the watermelon-based Gallagher cocktail. Tonight we’ll be serving their gin and vodka in a few seasonal cocktails, both new and classic. (That’s right, this is a rare opportunity to see me willingly make vodka drinks!) Stop by from 5-7 to try them out.

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beer_vermouth

Last weekend’s beer event at Cassidy’s was another successful night for the Oregon Bartenders Guild and Schoolhouse Supplies, with the latter receiving a little over $700 from the proceeds. If there’s a more fun way of raising money for kids than by drinking beer cocktails, I’m not aware of it. I’d like to thank all the brewers who contributed beer to the event, and especially thank McClaskey’s Spirits for providing some excellent products for us to mix with.

There were some interesting cocktails made that night with one of the most unique being Chris Churilla’s crowd-favorite Second Deadly Sin made with Buck bourbon, Maraska maraschino liqueur, Oakshire espresso stout vermouth (pictured above), and Oakshire IPA orange bitters. I didn’t have a chance to taste the vermouth separately, but the cocktail was delicious and proved the versatility of beer as an ingredient.

With my own participation in the event decided so late in the game I didn’t have time to do anything quite so transformative with beer but I still managed to turn out a tasty cocktail. Alex Ganum from Upright Brewing came through big time offering his beer on short notice. On the day before the event I visited Upright for what was supposed to be a brief tasting; however a power outage put Alex’s work to a halt and we ended up spending two hours trying everything on tap and talking beer. It was one of the best, most informative beer tastings I’ve ever had. I left with a case of his Flora Rustica, an aromatic saison brewed with yarrow and calendula flowers. Absolutely delicious on its own, and also quite nice in this simple beer cocktail:

Farigoule rinse
.75 oz Bellringer gin
5-6 oz Flora Rustica
toasted thyme sprig for garnish

The Farigoule thyme liqueur complements the floral notes of the beer, as do the botanicals in the gin. Toasting a thyme sprig over a candle during the drink’s preparation adds even more aroma that drifts across the entire bar.

For more cocktails and photos from the event, go visit Ron’s coverage at PDXplate (the source of the photo above).

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CIMG1375

As a cocktail blogger I’m used to getting samples of spirits in the mail. I’m not used to them arriving in bags like those pictured above. Is that Aviation gin’s sexy new packaging? No, but it is Aviation gin, cleverly altered by my friend David Barzelay for a tasting experiment.

David is very interested in the science of cooking and has lately been getting into cocktails as well. One of his recent acquisitions is an immersion circulator used for sous vide preparations. (How he got his circulator working is a story in itself, worth reading here.) In brief, sous vide cooking works by sealing food in an airtight plastic bag and immersing it in a temperature-controlled hot water bath. Because the heat source is the same temperature as the target temperature of the food, the bag can be immersed for hours and the food will cook evenly all the way through. This has numerous uses in the kitchen, but what about behind the bar?

David’s idea was to use the sous vide technique to increase the strength of an infusion. Since heat aids in the extraction of flavor, sous vide could allow one to achieve the same results as room-temperature infusions in a shorter period of time or with smaller amounts of ingredients. The sealed environment would minimize effects on the spirit, allowing any vapor to recondense into the liquid. David sent me four samples of Aviation gin to test whether 1) the spirit’s aroma, flavor, or mouthfeel would be altered and 2) whether a sous vide infusion would be stronger than an unheated one. The following four samples arrived in separately sealed bags:

1. 50g Aviation gin, untreated
2. 50g Aviation gin, heated for 60 minutes at 60C/140F
3. 50g Aviation gin, bagged with 10g juniper berries
4. 100g Aviation gin, bagged with 20g juniper berries, heated for 60 minutes at 60C/140F

CIMG1387

David suggested tasting these side-by-side with a few other gin lovers. Luckily Aviation is distilled right here in Portland by House Spirits, so I was able to taste these with the distiller himself. Our tasting panel consisted of me, Matt Mount and Lee Medoff from House Spirits, local bartender Elizabeth Markham, and visiting cocktail enthusiast Courtney Knapp, who also took the photos.

CIMG1396

I’ll discuss the infusions first. David says that when he mailed them to me the heated infusion had become dark brown from the juniper berries and the untreated infusion was still clear. By the time they arrived in Portland a few days later they were both brown and another several weeks would pass before I got around to the tasting them. Ideally we would have conducted the tasting soon after the infusions were made, but that wasn’t possible this time.

Nonetheless, the juniper flavor was still much stronger in the sous vide infusion. In both infusions the juniper overpowered other flavors, but in the heated sample it was even more pronounced and longer lasting; one taster said it felt as if the oils lingered longer on the tongue.

Was this the result of a stronger infusion? Probably in part, but there was an unexpected result from the sample that was heated without any added juniper berries: It tasted more like juniper too!

The first thing we noticed in the heated sample was that it had some visible solids or oils on the surface. It also tasted much more intense than untreated Aviation gin; “resinous” and “piney” were two descriptors we came up with. The sous vide process definitely had an effect on the spirit.

We’re not sure why the result came out this way. The temperature was below the boiling points of methanol and ethanol. Matt suggested that the process might have volatilized some of the juniper present in the gin, which he says is one of the first botanicals to express itself in the distilling process. This would perhaps explain why there was apparently oil on the surface of the sample and why junipery, piney flavors were enhanced to the detriment of floral, citrus, and spice notes.

Additional experiments could help shed light on how the sous vide process affects spirits. One possibility would be to repeat the infusion experiment with cardamom or coriander, two ingredients that Matt says express themselves at the end of distillation, or with an ingredient not found in the gin at all. Another would be to use vodka, which with its neutral flavor and purity would present fewer complications. Shorter heating times could also be tried; for example, DC bartender Justin Guthrie does a sous vide infusion of Jim Beam bourbon and Madras curry that takes just a few minutes and Tony Conigliaro does a 20 minute apple and gin infusion. They both use lower temperatures as well. Finally, Elizabeth suggested the technique could be useful in speeding up the making of bitters, which could be a great application.

Hopefully David will check in with his own thoughts and I’d like to hear from anyone else who’s tried this. I think the technique could have a lot of untapped potential.

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OBGcomp 031

Monday’s Oregon Bartender’s Guild cocktail competition at Hobnob Grille was a great success, raising enough money for Schoolhouse Supplies to equip an entire classroom of children for a full school year. The drinks were great too and it would have been hard to pick a winner. Somehow the audience did though, and it just so happened to be me. What can I say, Portlanders have great taste in cocktails.

Jennifer has a full write-up of the event with photos at her blog Savor It. Each of the bartenders was randomly assigned two Oregon spirits with which to create their drinks. I ended up with two I hadn’t tried before, Organic Nation gin and Dolmen Worker Bee honey spirit, both of which I like. My first round used the gin and fresh Hermiston watermelon for the Gallagher cocktail:

2 oz Organic Nation gin
1 oz watermelon juice
.75 oz lime juice
.5 oz Swedish punsch*
soda

Shake the first four ingredients over ice and strain into an ice-filled Collins glass. Top with soda and stir. The garnish is a pickled watermelon rind. I used Scott Beattie’s pickling liquid recipe from Artisinal Cocktails and the rind became nice and tasty after just two days of soaking. The drink is perfect for sipping outside in the summer. It’s crisp and refreshing and the smoky aftertaste from the Swedish punsch would go great with a grilled burger.

With round two I turned to the Dolmen honey spirit, an 80 proof liquor distilled from mead. Here’s the Mandeville:

2 oz Dolmen Worker Bee
.5 oz lemon juice
.33 oz St. Germain elderflower liqueur
.25 oz honey-lavender syrup (recipe here)
1 dash Scrappy’s Lavender Bitters
10 muddled blueberries

Muddle the blueberries and syrup before adding the rest of the ingredients. Shake over ice and double-strain into a chilled cocktail glass garnished with berries. This drink has layers of floral tastes without being overpowering and a lingering sweetness from the honey. The crowd really went for this drink. I’m sure the fact that it was their 12th of the night helped it along!

The Mandeville’s an updated and improved version of my old Blue Beetle cocktail. It works well with vodka too, but the substitution of honey-lavender syrup for simple syrup and Scrappy’s bitters for orange flower water makes it much better than the original. Scrappy’s entire line of bitters is worth checking out and if you can get your hands on a bottle you definitely should. It’s made in small batches in Seattle.

The name, by the way, is a reference to Bernard Mandeville, author of The Fable of the Bees. Mandeville satirized British morality by arguing that personal vice often led to public virtue, a fitting allusion on a night dedicated to drinking cocktails to raise money for children.

*Swedish punsch is a classic cocktail ingredient usually made with Batavia-Arrack, tea, sugar, lemon juice, and spices. I claim no expertise on this and my recipe is a simple variation of Max Toste’s, featured in Imbibe back in January. The only difference is that where Max uses simple syrup I use a syrup made of equal parts sugar and lapsang souchong tea. Lapsang souchong is an intensely flavorful black tea smoked over pine wood, which gives the resulting punsch an even stronger smoky character. Here’s the recipe:

9 oz lapsang souchong syrup
6 oz Batavia-Arrack von Oosten
3 oz lemon juice
.25 tsp grated nutmeg
seeds from 10 cardamom pods, ground

Steep ingredients refrigerated for 24 hours then strain into bottle.

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Thyme in a Bottle

by Jacob Grier on June 29, 2009

Thyme in a Bottle

Farigoule is a delicious liqueur from Provence that I recently came across here in Portland. Its primary flavor comes from the region’s abundant thyme, with a few other herbs added for good measure. It’s a unique, wonderful product: Not too sweet, intriguing flavors, great aroma, and well-balanced at 80 proof. I enjoy it neat, but since that’s a tough sell at the bar I also wanted to highlight it in a mixed drink.

At the same time I was working on a cocktail to enter into Bombay Sapphire’s Inspired Barender contest. Luckily gin is a natural pairing with Farigoule. And Farigoule, with its floral and herbal qualities, fills in well for better known French liqueurs like Chartreuse and St. Germain. Here’s the recipe I’ve submitted for the contest and placed on the Carlyle menu as Thyme in a Bottle, getting great reviews from customers so far:

1 oz Bombay Sapphire
.75 oz Farigoule
.75 oz lemon juice
.5 oz maraschino liqueur

Shake over ice, strain into a chilled cocktail glass, and garnish with a sprig of fresh thyme. A really nice touch is to lightly toast the thyme to release its aroma before serving. My bar at Carlyle has tea lights on it so it’s easy for me to rest a sprig above a candle while I mix the drink. This fills the area with the scent of thyme and gives the cocktail an extra sensory dimension as the customer sips from it.

A tip of the hat for this drink also goes to Charles Munat, who suggested using Farigoule in a Last Word variation. Though the proportions are different here, that’s essentially what this drink is, with Farigoule standing in for Chartreuse and lemon for lime.

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Belgian beer cocktails

by Jacob Grier on June 20, 2009

If you like big Belgian beers but wish they had more alcohol on in them, then 1) you’ve got a problem and 2) will enjoy this guest post from me today on Rob Kasper’s Baltimore Sun beer blog.

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Pegu cocktail

March’s Mixology Monday is hosted by Pink Lady at LUPEC-Boston, who writes:

This event was inspired by a chance encounter I had with an almost-famous Christian rock musician who, at age 32, had never had a cocktail. “I’d like to try one sometime,” he said, “What do you think I should have?”

It’s an excellent question, and one I though best vetted by wide audience of experts: What drink do you suggest for the delicate palate of the cocktail neophyte? Something boozy and balanced, sure - but one wrong suggestion could relegate the newbie to a beer-drinker’s life. To which go-to cocktails do you turn to when faced with the challenge?

I’ve been tending bar for a couple of years now and, aside from people who abstain from alcohol on principle, I don’t think I’ve ever met anyone of legal drinking age who has never had a cocktail. If I did meet such a person, however, I’d want to make them a good one. My own first taste of spirits was probably one of my grandfather’s strong gin Martinis; it was enough to turn my young palate off of liquor for years. It wasn’t until my friend Court introduced me the Long Island Iced Tea that I started exploring again.

Given that experience, I’d probably choose something similar for someone’s first cocktail. Not a Long Island, but something on ice, bubbly, and with some flavors they’re accustomed to. If I knew nothing else about the person I would probably choose a Dark and Stormy. Or maybe a Mojito, but then you’re potentially sending that person down the path of annoying every bartender she meets for the rest of her life. Ideally, before choosing a drink I’d start by asking the person what other drinks she likes. Black coffee? Then maybe she enjoys bitterness. Hoppy IPAs? Maybe she’s receptive to gin. Sprite? OK, back to the Mojito. It doesn’t really matter what that first drink is, as long as it tastes good and piques her interest.

The situation I’m more frequently faced with is a customer who’s curious about cocktails but has only tried some very basic drinks, likely variations of vodka mixed with soda or fruit juice. My job then is to expand their horizons. For people who are used to white liquors and citrus, this is when I often mix up a Pegu cocktail. (The cockles of Doug’s heart are so warm I can feel them from here!)

I first came across this one at Jeff Morgenthaler’s site and it quickly became one of my favorites at my first bar job, mainly because it was an esoteric cocktail that we actually had the ingredients for (minus the orange bitters). It originally appeared in Harry Craddock’s Savoy Cocktail Book. Here’s the recipe I’m using now:

1.5 oz gin
.75 oz Cointreau
.5 oz lime juice
1 dash Angostura bitters
1 dash orange bitters

Shake over ice and strain into a chilled cocktail glass. Garnishing with a lime is optional, but I tend to avoid it because a customer squeezing it into the drink is going to make the drink too tart.

People who are accustomed to basic sours like a Cosmo or Margarita will find some familiar tastes here, while the gin and bitters will introduce them to new flavors. I’ve had numerous people try it at my suggestion and say that they don’t normally like gin, but they like this. Would I serve it to someone who’s never had a cocktail before? Only if they really like citrus and have an adventurous palate. But as a gateway to better cocktails, I think this makes a great choice. It also happens to be one of my favorites to make for myself at home.

Previous Pegu action: Earl Grey tea lends a bergamot note to the Earl of Pegu.

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The last word in mixology

by Jacob Grier on December 20, 2008

Last Word cocktail

When you see green in a mixed drink, that’s often a sign that the bartender is getting carried away with sour apple pucker and it’s time for you to find another bar. Not so if the color comes from Chartreuse liqueur. My post today at Crispy on the Outside takes a look at the delightful Last Word cocktail.

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